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Out Of Africa for solo harp
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You've selected:
Out Of Africa for solo harp
Piano solo
Sheetmusic to print
6 sheet music found
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1
Fantasy on "Little David, Play on Your Harp"
Fantasy on "Little David, Play on Your Harp"
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Piano solo
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INTERMEDIATE
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Gospel/Spiritual
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Sacred music
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David Neff
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Fantasy on "Little David, Play
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David Neff
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.829046 Composed by David Neff. 20th Century,Christian,Concert,Sacred,Spiritual. Score. 3 pages. David Neff #6027095. Publ...
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Piano Solo - Level 3 - SKU: A0.829046 Composed by David Neff. 20th Century,Christian,Concert,Sacred,Spiritual. Score. 3 pages. David Neff #6027095. Published by David Neff (A0.829046). The African-American spiritual Little David, Play on Your Harp stokes the imagination of every child who has ever been bullied: Little David was a shepherd boy. He killed Goliath and he shouted for joy. This fantasy for solo piano tries to capture the many moods of the biblical story of the young David, from reflective moments with his herd of sheep to his jubilant triumph over the archetypal big bully. The piece can be performed in either church or recital settings. .
$4.99 ≈
4.66€
Sonata Hymnica No. 3
Sonata Hymnica No. 3
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Piano solo
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INTERMEDIATE/ADVANCED
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James Siddons
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James Siddons Music and Writin
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#
Sonata Hymnica No. 3
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual...
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Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual. Score. 12 pages. James Siddons Music and Writings #4350581. Published by James Siddons Music and Writings (A0.972647). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Sonata Hymnica No. 3 draws on two melodies from the African-American experience. One, Were You There (When They Crucified My Lord)? was first published in 1899 in W. E. Barton’s Old Plantation Hymns but existed earlier as a folk hymn. It became the first spiritual to be included in a major hymnal, The Hymnal 1940 of the Episcopal Church in the U.S.A. Sometimes I Feel Like a Motherless Child was sung by the Jubilee Singers of Fisk University from 1870 on, and was published in the Rev. Dr. Barton’s Old Plantation Hymns in 1899. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. Duration --- . Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50 ≈
8.86€
African American Suite No. 1 for Piano
African American Suite No. 1 for Piano
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Piano solo
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INTERMEDIATE
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Gospel/Spiritual
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Sacred music
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Sandy McIntire
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African American Suite No. 1 f
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Sandy McIntire
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.697665 Composed by Sandy McIntire. Contemporary,Contest,Festival,Instructional,Standards,Traditional. Score. 22 pages. Sa...
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Piano Solo - Level 3 - SKU: A0.697665 Composed by Sandy McIntire. Contemporary,Contest,Festival,Instructional,Standards,Traditional. Score. 22 pages. Sandy McIntire #6318167. Published by Sandy McIntire (A0.697665). African-American Suite No. 1, Opus 2 is a classical composition for Intermediate Piano that uses themes developed from African-American spirituals. It has four parts: 1. Ride on, King Jesus/In That Great Getting Up Morning, 2. Hold On, 3. Joshua Fit de Battle of Jericho, 4. Gospel Medley with themes from Little David, Play on Your Harp, Didn't My Lord Deliver Daniel, and Go Tell It on the Mountain. These pieces are also available separately at this web site.A YouTube video is available for you to hear samples of this composition.
$14.99 ≈
13.99€
Ngiculela-es Una Historia I Am Singing
Ngiculela-es Una Historia I Am Singing
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Piano solo
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INTERMEDIATE
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Stevie Wonder
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Popnroll 1976
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Ngiculela-es Una Historia I Am
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Popnroll 1976
#
SheetMusicPlus
Piano - Level 3 - SKU: A0.1296741 By Stevie Wonder. By Stevie Wonder. Arranged by Popnroll 1976. 20th Century,Latin,Pop,R & B. Score (Chords/Lyrics). 3 ...
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Piano - Level 3 - SKU: A0.1296741 By Stevie Wonder. By Stevie Wonder. Arranged by Popnroll 1976. 20th Century,Latin,Pop,R & B. Score (Chords/Lyrics). 3 pages. Popnroll 1976 #886908. Published by Popnroll 1976 (A0.1296741). Ngiculela - Es Una Historia - I Am Singing - Stevie Wonder (Lead Sheet/Lyrics)This is a Lead Sheet (with chords and lyrics) for Ngiculela - Es Una, which begins with a refreshing sounding Western string style synthesizer arbeggio over a light Latin beat from the great R&B singer Stevie Wonder's 1976 double album Songs In The Key Of Life.Intro and ending keyboard lines are also included. Includes lyrics.PDF format, 3 pages.Composed & Performed by Stevie Wonder.This song, in which Stevie Wonder himself plays all the instruments (except for the backing percussion), begins with his 7/8 time signature drums solo, and is introduced by a harp-like synthesizer phrase that sounds like a three-finger (on the guitar). The song is divided into three parts, with the [A] part sung in Zulu (an African tribe living from South Africa to southern Zimbabwe), the [B] part in Spanish, and the [C] part in English (a love song from our hearts, The bass guitar is played on a synthesizer. The bass part is played by a synthesizer, and especially the 5th and 6th bars of the [C] part are interesting lines, so I added them in a small size at the bottom of this page.
$9.99 ≈
9.32€
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